netvike.com
  • HOME
  • Reenactment
  • Reenactment Fighting
  • HISTORY
  • WEAPONS
  • ARMOUR
  • WOUNDS FROM COMBAT
  • VIKING AGE ARMIES
  • VIKING SHIPS
  • VIKINGS ON THE SILVER SCREEN
  • LINKS
  • HALSINGARNA'S LUND ?
  • CERAMICS
  • WHAT IS ?
  • Contact
  • BLOCKHEADS
  • Bear-faced Lies
Construction techniques were simple. It is possible to produce a sophisticated result with the simple techniques used but most often it seems the people of the time did not bother. Function was more important than form.

Picture
PINCHING is a simple technique whereby a ball of clay is teased out into the form between finger and thumb by repeated pinching and pulling. Careful control allows the form to be maintained in terms of symmetry and thickness. There is a limit of circa 10cm in height before this technique is no longer possible.


A pinch pot can be the base of a large pot if coils are added.


COILING uses rolled-out sausages of clay which are then assembled by fixing them in a superimposed pile to form the sides of the pot. If this is done with stiff clay and in phases then a very large pot can be made. Once the basic structure is made the pot can be scraped and finished to produce a much lighter result than the initial heavy coiled construction.


Pre-Viking pots in the Hebrides (1 at right )show coils set together smeared downwards inside and outside giving a 'toungue and groove' effect in cross-section. Viking potters (2 at right)  seem to have smeared downwards on the inside and upwards on the outside giving the appearance of lozenge-shaped coils in cross-section.



Picture
Picture
Picture

BEATING or PADDLING is the term for forming a pot by striking the outside of a lump with flat sticks to force it out flat and increase the volume that way. A stone or sherd is held inside the pot as an anvil against which the clay is beaten-out.
REPOUSSE is a technique which is simple in principle but requires some skill. It is not hollowing-out (which would remove clay) but a pushing-out of the pot form from an initial clump of clay.  A hole is pushed  into the clay and then the walls are progressively  raised outwards. The mouth of  the pot is formed early on in the process and the final pot scraped to produce a good form.
COMBINATIONS of technique are possible. For example, a pinch-pot can be the base which has sides added by coiling.

TOOLS used by traditional potters are discussed HERE

ORNAMENT AND FINISHING OF POTS is discussed HERE

FIRING is discussed HERE


A playlist of videos illustrating traditional potting techniques is HERE

PICTURES
Some are mine but I plunder the internet in good viking style. If you find your picture used here I will remove it if you want.
home